{"id":4577,"date":"2022-09-29T03:30:45","date_gmt":"2022-09-29T03:30:45","guid":{"rendered":"https:\/\/blog.ladybassmusic.net\/?p=4577"},"modified":"2023-01-30T03:44:36","modified_gmt":"2023-01-30T03:44:36","slug":"wonder-women-stories-from-the-women-who-play-bass-sept-2022-inez-wyrick","status":"publish","type":"post","link":"https:\/\/blog.ladybassmusic.net\/?p=4577","title":{"rendered":"Wonder Women; Stories From the Women Who Play Bass \u2013 Sept 2022 &#8211; Inez Wyrick"},"content":{"rendered":"<p>When I set out to do the Wonder Women series on No Treble, I had certain people in mind right off the bat. Some of them I made a higher priority due to age or other factors. But, in a web-based column like this, it is necessary to have a balance between the new generation (the Tanya O\u2019Callaghans, Kirby Barbers, Mohini Deys, and the Ellen Alaverdyans of the world) and recording the stories of the older generation\u2026 the forerunners who helped build the world these younger ladies now live in.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-4579\" src=\"https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-1.jpg?resize=300%2C225&#038;ssl=1\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-1.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-1.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-1.jpg?w=1024&amp;ssl=1 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>The stories of the old guard are the stories I\u2019m more afraid of losing, especially as we\u2019ve just gone through a pandemic. These are the women who truly were in the minority, often told by teachers and conductors that \u201cwomen don\u2019t play bass,\u201d and who worked twice as hard as their counterparts to land the same gigs. Women, aside from harpists, were not in major symphony orchestras. This <a href=\"https:\/\/web.archive.org\/web\/20071001003115\/http:\/\/www.time.com\/time\/magazine\/article\/0,9171,898497,00.html\" target=\"_blank\" rel=\"noopener\">Time news article<\/a> will give more context. I spoke with Donovan in preparing this article, and he shared this of Inez, \u201cShe was told by one of her former teachers that women shouldn\u2019t play the bass. She was also told to her face that she couldn\u2019t work with a particular big band jazz group because she was a woman. In fact, she was told that the only women who would be in the band were singers, and even then\u2026only if they were attractive. Even though Inez had been playing professionally six nights a week since the 8th grade and she was in her local symphony orchestra as a high school student\u2026she was turned away. The discrimination was very real.\u201d These were the times in which a young Inez cut her teeth.<\/p>\n<hr>\n<p>To read more on the legacy of Inez Wyrick, as shared in my Wonder Women column on No Treble, head <a href=\"https:\/\/www.notreble.com\/buzz\/2022\/09\/29\/wonder-women-inez-wyrick\/\" target=\"_blank\" rel=\"noopener\">here.<\/a><\/p>\n<p><code><br \/>\n<!-- Default Statcounter code for Lady Bass Music\nhttp:\/\/www.ladybassmusic.net --><br \/>\n<script type=\"text\/javascript\">\nvar sc_project=1496529;\nvar sc_invisible=0;\nvar sc_security=\"ec215b54\";\nvar sc_https=1;\nvar scJsHost = \"https:\/\/\";\ndocument.write(\"<sc\"+\"ript type='text\/javascript' src='\" +\nscJsHost+\n\"statcounter.com\/counter\/counter.js'><\/script><br \/>\n<!-- End of StatCounter Code --><\/p>\n<p><\/code><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When I set out to do the Wonder Women series on No Treble, I had certain people in mind right off the bat. Some of them I made a higher priority due to age or other factors. But, in a web-based column like this, it is necessary to have a balance between the new generation <a class=\"moretag\" href=\"https:\/\/blog.ladybassmusic.net\/?p=4577\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":4578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[412,404],"tags":[19,408,407,405],"class_list":["post-4577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interviews","category-wonder-women","tag-ladybassmusic","tag-no-treble","tag-stories-from-the-women-who-play-bass","tag-wonder-women"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/blog.ladybassmusic.net\/wp-content\/uploads\/2023\/01\/Inez-Wyrick-e1675049960527.jpg?fit=1024%2C445&ssl=1","_links":{"self":[{"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/posts\/4577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4577"}],"version-history":[{"count":4,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/posts\/4577\/revisions"}],"predecessor-version":[{"id":4583,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/posts\/4577\/revisions\/4583"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=\/wp\/v2\/media\/4578"}],"wp:attachment":[{"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.ladybassmusic.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}